Wednesday, 17 December 2014

Doctor Who Magazine: The 2015 Yearbook

Today sees a end-of-year special edition yearbook from Doctor Who Magazine.

I don’t usually mention stuff like this, but this contains something a bit special you’ll like to read - especially if you’re a regular reader of my blogs.

The magazine reviews an incredible year for the programme, its spin-offs and the licensed merchandise available.
Highlights include our first major interview with the show’s executive producer, Brian Minchin, in which he reflects on Peter Capaldi’s first year as the Doctor and looks forward to further adventures with the Twelfth Doctor.

  • Features on every episode in Peter Capaldi’s first series
  • Interviews with the team that accompanied Capaldi and Jenna Coleman on the Doctor Who World Tour
  • Fourth Doctor Tom Baker discusses his return to television and audio Doctor Who
  • Eighth Doctor Paul McGann reveals what he thinks about Capaldi’s Doctor
  • Orchestrator and conductor Ben Foster previews the 2015 Symphonic Spectacular
  • Inside the new ‘making of’ show, Doctor Who Extra
  • Behind the scenes at the new Doctor Who Experience in Cardiff
  • Interviews with some of the key players behind recent books, soundtracks, audio dramas, DVDs, Blu-rays and action figures
  • Highlights from the year’s newspaper and magazine reviews of Doctor Who
  • A round up of Doctor Who’s awards and honours from the last 12 months
  • Detailed tributes to the Doctor Who luminaries who passed away in 2014..., and much more!
Also included in the “much more” is an interview with me!

I was approached by Simon Guerrier, who as well as writing for Doctor Who Magazine has written adventures for Big Finish. We met in London a few weeks ago where we chatted about my work and some background information about how I do what I do.

We talked about a number of my projects, and the article is accompanied by a nice feature picture of me in my Tom Baker Frock Coat!

I provided a number of images for use with the article, including getting permission from Louise Page to share the picture of her with the Ultimate Tennant Suit.

I was hoping for maybe a half page, but in the end it turned out as a full page - which is awesome!

The magazine is available at
WH Smiths from
Thursday 18th December 2014

Sunday, 14 December 2014

Tomorrow’s World:
The Unearthly History of Science Fiction

Last night saw the final episode of the BBC2 documentary series Tomorrow’s World: The Unearthly History of Science Fiction.

Presented by Dominic Sandbrook, episode four was all about time travel, and naturally encompassed Doctor Who.

Interviewed were lead writer Steven Moffat, actors David Tennant and Karen Gillan as well as Neil Gaiman who talked in gerbil terms about sic-fi rather than specifically about Doctor Who.

The Doctor Who section of the programme was linked with Dominic walking around the Experience in Cardiff.

The thing that really caught my eye though was seeing the Tom Baker coat from the classic series Doctor costumes display.

This is a coat I made for the exhibition, and it was on display during 2012 and 2013.

The BBC website for the series can be found here
Episode four about time travel can be found here, with the Doctor Who section from 5:20 into the programme

Tuesday, 2 December 2014

Sarah Jane’s Oliver Owl soft toy on eBay

If you’re on the look out for your own Sarah Jane owl toy, you’d do well to have a look on eBay.

These owls crop up from time to time and sell for around £50 to £100 a time, though you need to watch out for the size of the owl as several heights were made.

If you find their price tag a bit rich for your pocket, you could always have a go at making your own, and these listings come with some great detail pictures to work from.

12 inch tall Oliver Owl
1970s Alresford Crafts soft toy

For sale vintage 1970's Oliver Owl plush toy made by Alresford Crafts Ltd. Measures approx 12".

Rare and delightful in his own right he is the same as the one featured at the end of the 'Hand of Fear' Dr Who story when Sarah Jane leaves the Doctor.

He also reappeared in 'The Sarah Jane Adventures', also this make of owl featured in 'ET'. Is in very good vintage condition.

Monday, 24 November 2014

Return To The City Of Death

One of my clients sent me a couple of great photos today.

He was on a trip to Paris and had to visit the Scarlioni Chateau - in full costume!

The street has hardly changed since filming took place in 1979, and he looks just the part in his screen accurate costume, finished off with one of my palette brooch sets.

The building used is number 47, Rue Vielle du Temple
Paris, which is currently Oliviers et Co, a Mediterranean restaurant.

Tuesday, 18 November 2014

Bonhams auction - 10th December 2014

Can’t believe 2014 is nearly over - so to confirm its immenant demise Bonhams are holding their usual December Entertainment Memorabilia sale.

There’s not a great deal of Doctor Who items for sale, so I thought I’d share two lots which are costume designs by June Hudson for Blake’s 7.

It’s always nice to look at some of June’s work!

Lots 141 - 142
2nd Doctor (1967-1969)
Lots 143 - 144
7th Doctor (1987-1989)
Lots 145 - 160
Torchwood and Sarah Jane Adventures

Lot 139 
Blakes 7: An original costume design by June Hudson, 1978, depicting Paul Darrow as Avon, in 'Killer' (season 2, episode 7), pastel on cartridge paper, titled, signed and dated by the artist, with preparatory sketch for a different design to reverse, 15 x 22 inches (38 x 56cm).

June Hudson, is a British costume designer, famed for her work on both Doctor Who and Blake's 7.

Estimate £500 - 700
Sold for £687

Lot 140
Blake's 7: An original costume design by June Hudson, 1978, depicting Jacqueline Pearce as Servalan, in 'Pressure Point' (season 2, episode 5), pastel on cartridge paper, titled and signed by the artist, with preparatory sketch on reverse, 15 x 22 inches (38 x 56cm)

Please see footnote to previous lot.

Estimate £500 - 700
Sold for £875

Friday, 7 November 2014

City Of Death brooches -
first batch in stock!

The first batch of palette brooches arrived today, so I’ve mounted them on their presentation cards and they’ll be going out int he post at the weekend.

If you’ve ordered one you’ll see them soon - if you want to order a set - let me know as they are selling fast!

The brooches are £70 a set
(Inclusive of global shipping).
I am taking orders now,
for shipping late November

Tuesday, 28 October 2014

City Of Death brooch -

I only posted news of my replica City Of Death brooch set earlier today, but I’ve had lots of emails already asking to buy them.

The sets are hand made by Susan Trevor, who made the ceramic cat brooch worn by Colin Baker, so have a genuine Doctor Who pedigree.
The brooches are £70 a set
(Inclusive of global shipping).
I am taking orders now,
for shipping late November

City Of Death - artist’s palette brooch set

Something exciting came in the post today.

After making my City Of Death style frock coat, I’ve been after a really good replica of the Artist’s Palette brooch worn in the episode.
I had seen a few replicas around, but none had grabbed my attention.

The paint tubes of the brooch have a very distinctive angle to them, with the red and the green close together and the blue off doing its own thing.

No-one had quite captured this for me.

Then something occurred to me. If you follow my Sixth Doctor costume blog you’ll see I have a special arrangement with Susan Trevor, who made THE ceramic cat brooch proudly worn by Colin Baker. She makes replicas for me, using her original mould and hand paints them just like the real thing she did over thirty years ago.

I put the idea of the palette brooch to her and she declined, saying that casting the brooch with the paint tubes attached would be enormously difficult, with a danger they would snap off even before it was even painted.

But then I came across a very revealing photo which changes everything.

It’s an unusual shot of Tom on location. Not one I had seen before. But then the brooch caught my eye.

If you look closely you can see the red and green tubes are at a very odd angle. They are almost going around the lapel - in fact you can clearly see the red tube isn’t even attached to the palette.

Then is dawned on me - this is not A brooch - it is a set of FOUR brooches!

This explains the irregular spacing of the tubes - they are individually pinned on best as can be, but not equally spaced.

Knowing this not only makes a whole lot more sense but means it is practical to make them.

So today Susan’s first prototype arrived in the post - and I think it’s brilliant!

She has really captured the look, shape and colours of the original - and looks fantastic on my coat!

Let me know what you think.

I’ll be taking orders for these brooch sets very soon, so drop me a line if you want to reserve yours now!
Please mail me at

Tuesday, 21 October 2014

Sarah Jane’s Oliver Owl soft toy

One of the things that can finish of a good cosplay costume is a well chosen prop.

If you’re doing The Doctor, then a sonic screwdriver is a must.
But if you’re doing a companion there are thing out there worth tracking down.

When Sarah Jane finally left the TARDIS in The Hand Of Fear, she carries a handful of possessions, including a soft toy of an owl.

It ends up this owl is a toy called Oliver Owl, and was available in the mid 1970s from a company called Alresford Crafts.

As well as appearing in Hand Of Fear, the makers of The Sarah Jane Adventures had a little fun by putting the toy in the background of Sarah’s attic - though you might notice it is a crude copy rather than an original.

But this isn’t the only screen appearance of an Oliver Owl.

It famously can be seen in the toy cupboard in the Steven Spielberg film, ET.

First it is seen on a shelf behind ET when Elliot dresses him for his Halloween Trick or Treat outing (01:01:03 into the film).

Later, when Michael peeps over in the cupboard it can be seen on the floor to the left (01:25:12 into the film).
Have you spotted an Oliver Owl in another film or tv episode?!
If so, drop me a line

Wednesday, 24 September 2014

First-hand review - season 16 Frock Coat

A little while back I had the chance to get my grubby mitts on one of the replica season 16 Frock Coats out there.

It was interesting to see how another tailor had interpreted the coat, and knowing the original a bit more than most, how it fared. Forgive me for being brutal!

There are a multitude of things that strike me about this coat, but the first I’d have to address is fabrics used.

Rather than the plain and flecked coloured heavy, coarsely woven tweed, a relatively thin suiting cloth has been used which for me makes the feel of the coat just wrong.

The fabric is a good quality, allegedly sourced from Holland & Sherry, a Savile Row tailors suppliers. That said, a quality fabric doesn’t make for a quality cut if the essence of the pattern is wrong.

The rear of the coat is my main worry about the pattern used. A frock coat should have a continuous drape of fabric all the way from the shoulders, down between the two back buttons and through to the hem. The skirt panels should then be between the front edges all the way around to meet these narrow tails.
Here we essentially have a jacket with a skirt attached at a waistline seam running the full circumference of the coat.

It has the tails as a frock coat, but they are too wide which pushes the buttons quite far apart. The skirt is in two sections, with an aggressive dart down to the rear pockets to create some girth, but this broadens the hips rather than spreads the skirt through to the hem, thus lacking the hourglass flare that is so typical of a real frock coat.

The pattern for the upper body of the coat has one panel each side too many. Essentially the vertical seam passing just behind the rear pocket simply shouldn’t be there.

Turning to the collar and lapels, these aren’t too bad and are a good interpretation of the screen worn coat.

The placement of the buttonholes and buttons is pretty accurate, though the buttons are disappointing as they are plain plastic rather than leather.

The split lapel has been well cut, giving the front of the coat a good appearance.

With an appropriate scarf to hide the rest of the coat (here the one my mum knitted me in the 70s) it looks not so bad.

The chocolate brown piping has been cheaply sourced and is nothing more than a cotton bias binding worth less than a quid a metre.

It has been skilfully applied, but I don’t like they way the visible side has a line of stitching on show, whereas the underside is overlapped to hide the stitching.

The pocket flaps are all simple rectangular shapes, lacking the characterful outward slope. It’s subtle but makes the difference for me.
Internally the coat goes off on its own tangent, making things up as it goes along.

The design of the internal pockets is very typical of the Far East tailors, with a multitude of sizes and positions on offer - one on the right side and three on the left.

I’ve seen this in a number of suits originating from the orient.

This over eggs the simplistic four patch pockets of the original coat.

The coat is very competently made (aside from a burn to the velvet on the collar point - oops) but this doesn’t make up for the failure to appreciate what it should be made from or how it is cut and drapes.

That said it could make for a good day-to-day wear that has been inspired by the costume, rather than quality screen accurate time of cosplay.

Saturday, 13 September 2014

Meeting Tom - Big Finish Day 5

Had a great day out today in Windsor for the fifth Big Finish day convention.

With Tom Baker as the headline guest, his pulling power alone meant the event was a sellout long before it happened.

Being a Big Finish sponsored event, it was hosted by Nicholas Briggs who had the pleasure of interviewing Tom alongside producer Philip Hinchcliffe, who had shaped his Doctor during his informative early seasons.

As expected Philip didn’t get much of a look in, while Tom stole the show. To say Tom was on form is an underestimation, as he was his most lucid and amusing I have seen for quite a while.

He seemed to be relishing the Big Finish dramas he's been doing, giving him a new spice of life, which was fantastic to witness.

Talking about his early life and confessional at his local Catholic Church, he had the audience rolling with laughter as he described the priest's rosary rattling when asking how many times a week Tom had an immoral thought. That the subject of his desire was from another parish made it acceptable.

He related how Who Do You Think You Are? had researched his life with a view to him being the subject of an episode. Having found nothing beyond births marriages and deaths they had deemed his ancestors too dull to take it to broadcast.

Following Tom's interview, it was time to queue for his photo opportunity.

I was in full Fourth Doctor costume and Tom was very amicable to the fans, so he was fine about me putting the end of my scarf around his shoulder and asking him to hold my sonic!

At noon it was time for another panel discussion, this time focusing on the Early Adventures with William Russell, Maureen O’Brien and Peter Purves, all of whom had worked with the First Doctor.

It was interesting to hear three contrasting views of the wilderness years of Doctor Who.
Maureen had resisted the Who world since leaving the series and working on many productions since. She had declined all invitations to conventions during the 1980s and 90s, but had been persuaded by 10th Planet who helped promote her book, gaining her over 200 sales in a single day.

Peter was quite blinkered to the regenerated Doctors down the years - William Hartnell was THE Doctor as far as he was concerned and his dislike for sci-fi meant he had kept a distance from fans. But when Big Finish approached him to bring Steven Taylor back to life, he jumped at the chance and enjoys every minute of it.
William also felt Hartnell was THE Doctor but felt only Sylvester McCoy got close to replacing him in his view.

Asked about the fans, Peter related an amusing email he had received enquiring if he was aware that gay Whoovians found his character hot! In response he explained how down the years he had been propositioned by gay actors, one of which was quite persistent, eventually telling Peter to make his mind up, “I’m not a taxi service. I don't charge waiting time!”

I then spent some time gathering autographs in my River Song book. It was wonderful to see Maureen O’Brien as I always thought she was an under-rated companion.

I also met Pamela Salem, who only the night before I had caught in an episode of Ever Decreasing Circles, playing the estranged wife of Paul Ryman.

Finally I got Karen Gledhill who starred alongside Pamela in Remembrance Of The Daleks and now in the Counter Measures spin-off Big Finish series.

I missed most of the lunchtime panel, but caught Matthew Waterhouse recalling watching over 1,000 episodes of Dark Shadows, which he had mentioned in his autobiography, resulting in him being asked to star in the Big Finish range.

He waxed lyrical about how the original had been shot as live; broadcast five days a week; and had all the wobbly sets, visible cameras and actors forgetting their lines which Doctor Who had erroneously been accused of down the years.
Nick Briggs chipped in that the closing credits would often be over a locked off shot of the empty set, and in one episode a lead actor walks into view wearing a dressing gown until he realises he's on camera and quickly darts our of view!

There was then a cosplay competition, judged by Strax himself, Dan Starkey. There was £50 of Big Finish CDs on offer for the winner. Ironically I lost out to a friend of mine - wearing one of my Sixth Doctor costumes!

The final panel I attended was a three-in-one, covering spin-off series Vienna, Dark Shadows: Blood Lust, and of particular interest to me, Terrahawks.

On hand was Jamie Anderson, son of puppetry legend Gerry Anderson.

With a new Thunderbirds tv series already in the pipeline, attention turned to Terrahawks as potential adaptation fodder. Most of the original voice cast are still available, including Denise Bryer who at 85 will return to voice Zelda.

Jamie told an amusing tale of how Mora Griffiths, was cast as Kate Kestrel for the SOS single not for her singing talent, but because she uncannily looked like the already made puppet!

While all of this was going on, Tom was signing autographs like a trooper. We all had numbered tickets and we were to get our chance in order, so being 237 I knew I had a while to wait before I needed to even think about queuing, giving me the chance for lunch!

Finally they were calling tickets over 220, so I headed over to meet Tom.
There was only one thing I wanted signed - and I wanted him to write something very special for me, and with him on top form I knew he would be up for it.

If you've followed this blog, you may have seen Target novel he signed for me in 1977. As a dedicated 11 year old Doctor Who fan I was beyond excited to meet my hero, but was terrified of him spelling my name wrong. So when I finally got to the front of the queue and I was asked my name, I said “Steven - with a V!” So Tom wrote the dedication as “To Steven with a V from Who with a Tom Baker”. Down the years it has been a phrase that makes quite a lyrical sound in my mind.

Now I have a River Song book for my autographs, I want Tom to rewrite the same dedication for me, 37 years later, which he was more than happy to do.

I asked him to sign page one of the book, and he did a great job.

Thanks Tom - it made my day.